
It was pure joy to sit on a platform with Tilda again the other night. The digitally re-mastered ORLANDO looked and sounded fully present, with the colours as vibrant as they were originally intended to be.

It was pure joy to sit on a platform with Tilda again the other night. The digitally re-mastered ORLANDO looked and sounded fully present, with the colours as vibrant as they were originally intended to be.

A retrospective of my films starts this week in London. It is a strange moment. Has that much time passed already? And just who is the stranger who did this stuff behind my back?

There is no zero point in writing a script, of course. Just the illusion of nothingness before the something appears. But confronting emptiness, a kind of void-state, whilst sometimes terrifying (will anything ever happen?) is also exhilarating.