Yesterday morning, a few hours before our dress rehearsal, I participated in ‘Midweek’, a live radio show famous for its remarkably varied participants. Libby Purves is the presenter/interviewer and she navigates a strange and contradictory terrain...
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The work in the studio hits the stage and I’m running. I try to answer constant questions from all members of the team whilst keeping my eye focussed on the unfolding picture...
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A rehearsal process such as this (4 weeks in the studio with the singers before attempting to stagger through the acts on stage in the Coliseum) demands incredibly detailed planning followed by very quick thinking when the plan doesn’t work...
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Yesterday Pablo, Lucila and I met for the first day of rehearsals in the cavernous studio at Lilian Baylis House where we will now be for the next six weeks.
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During the weeks leading up to the start of rehearsals various dramas have erupted about the translation of the libretto of Carmen into English. At root the impulse behind such dramas is entirely correct.
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When I was approached by John Berry to direct CARMEN for the ENO, I only prevaricated for a year or so (!) before deciding that if I was going to direct an opera it may as well be the most popular one of all time on at least two counts
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